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| Arlington at 200, public art created by Rik Freeman & ArtsWork students, 2001 | ||||||||||||||||||||||||||||||||
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The "Artist Series" will showcase the
work of a different set of Arlington-based artists each year, with a portion
of the sale of each box going to benefit the arts in Arlington. Chocolatier Jason Andelman, an Arlington resident and native of northern Virginia, is the former pastry chef at Washington, DC's TenPenh Restaurant. He is an honor graduate of the pastry program at the Culinary Institute of America, and holds a BA in Art History from the College of William and Mary. Washington Magazine featured Artisan Confections in a 2002 article on the region's best chocolates. The boxes are sold in both 12 and 24 piece boxes. The Artisan Confections philosophy is a simple combination of two passions - fine art and fine chocolate. Each hand crafted chocolate is itself a culinary-artist's creation using only the finest French chocolate, fresh butter, cream, luscious fruit purees and fresh herbs; without the use of preservatives or artificial ingredients. Their small batch confections couple traditional techniques with a contemporary flair producing an exquisite feast for your senses. Of equal importance is the value they place on their local community. They've chosen to reflect that essential connection by showcasing local artists and by giving back a portion of each sale to benefit the arts in Arlington. Artistan Confections now has a
retail store at 4815-B Lee Highway, Arlington, VA. 22207 To Order: http://www.artisanconfections.com
HISTORIC NEW DEAL ERA MURALS EXHIBITED AT CENTRAL LIBRARY
Arlington Shares Recently Restored Murals with the Public at Eye-level
September 26, 2005 - Fall 2006
View Auriel Bessemer’s historic New Deal-era murals, on loan from the United States Postal Service during the restoration of Arlington’s Main Post Office. Bessemer (1909–1986) was commissioned by the Treasury Department’s Section of Fine Art to paint Historical and Industrial Scenes – Sketches of Virginia for the Main Post Office in Clarendon as part of a national effort to beautify new federal buildings. This is a rare opportunity to view the murals at eye-level since they were installed at the post office in 1940. The murals were restored this summer by the Fine Art Conservation Group in New York City and will be reinstalled in the Main Post Office fall 2006.
As a public commission, Bessemer was encouraged to depict imagery emblematic of national ideals and local history. His paintings are therefore significant artifacts of our national history and also symbolize the strengthening of Arlington’s identity in the 1930s and 40s. When the new post office opened, it became a unifying entity that identified Arlington as a distinct county, rather than an agglomeration of neighborhoods. Bessemer’s murals contributed to this objective by illustrating local destinations with which residents could identify, such as Great Falls and Roosevelt Island. By focusing on such themes, Bessemer added to the sense of local pride and created what is probably Arlington’s first work of public art.
This exhibition was sponsored by Arlington Cultural Affairs, Public Art Program, Department of Parks, Recreation & Cultural Resources and Keating Partners with support from the Arlington County Department of Libraries and the United States Postal Service.
Dreamer: an Eyrie
Perch, with Austin Thomas In her last show at Black and White Gallery in Williamsburg in 2003, Thomas further explored the notion of open-air living, expanding the architectonic language already inspired by her Perches. Twin lawn recliners, revamped Adirondack chairs, and colorful elbow rests graced the outdoor courtyard. Like her Public Art Fund Perch, these delightful, functional sculptures ignored the distinctions between the object and its setting, calling on the two to complete the intention of the piece. Thomas' new work expands on her ongoing interest in design, craft, and social exchange. She recently purchased a 1973 El Camino off eBay and drove it cross-country from California to her studio in New York. The flatbed of the El Cam has been rigged into part salon, part roving tailgater known as Perchance: a Floating Scenic Overlook, which will travel throughout the United States in the next year. In her artist statement, Thomas explains, "Wherever I go, I can undo the cover, set up the perches and entertain, have a barbecue, a picnic, listen to a history of the place I am visiting, or play a game of poker in this specially designed patio. The constantly changing scenery as well as the participatory nature of driving, setting it out, and perching, will enable increased chance encounters and diverse social interactions."
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