Lee Arts Workshops Fall 2010
REGISTER: By Phone: 703-228-0560 or 703-228-0558
Fall 2010 Lee registration
INFORMATION: 703-228-0560, or email Steven Muñoz, Director, Lee Arts Center
Relief - An Introduction to Woodblock Printmaking
WITH STEVEN MUŇOZ
September 13 – October 4; Mondays, 6 to 9.30
Fee: $135 non-members, $125 LAC members
*Enrollment is limited to 6 students. Please register ASAP!
The woodcut is the earliest and most ancient method of making a print; the Chinese first developed true printing thousands of years before other civilizations. In the 15th Century it was used extensively in Europe to print illustrated texts. After the development of moveable type it was used very largely in an illustrative capacity as it could be made the same height as the type and printed alongside the text. Artist such as Albrecht Durer disseminated his work widely through woodcuts which were cut by professional craftsmen after he had drawn on the block. The technique was overtaken by engraving and wood engraving as a more subtle process of reproduction. It enjoyed a revival at the end of the 19th Century through the interests of artist printmakers as a very direct method of working. Access to a wider range of products in the 20th Century has seen yet another renaissance through such artists as Emma Stibbins who uses very very large sheets of plywood for her prints.
In this workshop, students of all levels will learn about the tools, materials, the steps and techniques to printing their own woodcut prints, on the press and by hand. This workshop will focus on the exploration of wood surface with various tools; value and space; and ultimately students will produce a resolved black and white print* ultilizing the aforementioned elements.
*Final prints of good print quality after proofing on newsprint and proofing paper.
Steven Muñoz studied at The American University in Washington, DC and received a Bachelor of Fine Arts degree with a primary concentration in printmaking. He was the recipient of the Allen M. Carney Memorial Scholarship in Fine Arts and the Elizabeth Van Swinderen Award. His work is in the permanent collections of the Western Railroad and Mining Museum in Helper, Utah and Arlington County Government in Virginia. He is the Director of the Lee Arts Center, a program of Arlington Cultural Affairs.
Throwing Plates and Platters
WITH JOYCE MICHAUD
Saturday/Sunday, October 16-17, 2010 | 10:00 am – 4:00 pm
Fee: $190 non-members, $ 180 LAC members
*Enrollment is limited to 10 students. Please register ASAP!
Join us in welcoming back Joyce Michaud as she again provides an in-depth study on the throwing and finishing of plates and large platters. In this two day hands on workshop she will cover structural strength concepts for low open forms, methods for centering, and a variety of throwing techniques, information on finishing, decorating and firing pieces. Previous throwing experience is required.
Joyce Michaud is an associate professor at Hood College, where she serves as Studio Arts Coordinator and founding Director of the Graduate Certificate and MFA in Ceramic Arts. Her in depth teaching of the complex techniques of working with clay has shortened the time spent learning for many students in workshops and courses nationally and internationally. Her work is represented in public and private collections nationally and internationally and is represented in the permanent collection of the of the Smithsonian American Art Museum’s Renwick Gallery.
Precious Metal Clay Clinic
WITH ALFREDO RATINOFF
Wednesday, October 20 | 2010; 6:00 pm – 8:30 pm
Fee: $35 non-members, $30 LAC members
Have you taken a Precious Metal Clay class and are not quite sure how to proceed? Need some help in figuring the best way to create that special piece? How about patinas and learning the best way to fire bronze clay? Thinking about purchasing a PMC kiln but don’t know where to begin? Bring your PMC or Bronze Clay questions, problems and concerns to Dr. Alfredo. The ‘doctor’ will be ‘on call’ for all your metal clay concerns. Cost of the workshop will include one PMC or Bronze clay firing, use of tools to finish your pieces and patinas. Some prior PMC or Bronze clay experience is required.
Alfredo Ratinoff was born in Buenos Aries, Argentina. He studied at the National School of Ceramics in Buenos Aires, and then in Madrid, Barcelona and Florence. He specializes in large scale ceramic mural installations and recently has expanded into other art mediums as in printmaking and precious metal clay. His work has been shown both nationally and abroad and he has done numerous commissions for both private and corporate collections. Alfredo is currently an artist-in-residence in the ceramics studio at the Lee Arts Center. To learn more about Alfredo and his work please visit http://alfredoratinoff.com
Raku Pa’ina (Hawaiian for Gathering or Party)
WITH RAMON CAMARILLO
Friday Evening October 22, 2010 from 7:00 – 9:00 pm (to glaze)
Saturday, October 23, 2010 | 10:00 am – 3:00 pm
Fee: $70 non-members, $60 LAC members
Be prepared for a fun time at this pa’ina or Hawaiian style gathering with resident artist Ramon Camarillo as he shares his wealth of information on Raku glazing and firing. A master at achieving a variety of surface effects in the fast moving Raku firing process, Ramon will guide participants in glazing their pieces on Friday evening then fire to finish on Saturday. The workshop fee allows participants to bring 4-5 bisqued pieces each (each piece no larger than 24 cubic inches). Additional pieces may be fired at an extra fee of $20.00 per shelf. Bring along your favorite potluck dish to share on Saturday to celebrate the process and to admire the outcome of the finished pieces.
Originally from Honolulu, Hawaii Ramon Camarillo has been living in Virginia since 1996. He has spent the last 27 years developing his skills and refining his techniques in the art of raku and pit-fired vessels. He has shared his knowledge and techniques through a wide variety of workshops and demonstrations up and down the east coast as well as Hawaii. His work has been exhibited in numerous galleries in the U.S. and he has been featured in both Clay Times and Ceramics Monthly publications. Currently, he is involved as a representative in the ART in the Embassies Program, a program of the U.S. Department of State.
Encaustic: A Colorful & Textural Experience
WITH LYNDA RAY
Saturday, October 23, 2010 | 11:00 am – 5:00 pm
Fee: $95 non-members, $85 LAC members
Materials fee: $35 payable to the instructor on the day of the class.
*Enrollment is limited to 6 students. Please register ASAP!
Encaustic or hot wax painting is a simple process that produces impressive results with luminous and jewel-like surfaces and textures. It is made up of molten beeswax, pigment and dammar resin. It can be smooth and shiny, textured and three dimensional all on the same painting. Participants will explore melting and fusing, intarsia (line and edge), transfers, accordion book making, texture, collage, scraping and incising. Join us in learning this once ancient process, now updated with new tools and equipment.
Lynda Ray is a studio artist based out of Richmond, Virginia. She is nationally known and has conducted encaustic workshops throughout the country. Lynda is versed in a wide variety of techniques, especially color and texture. Periodically R&F Encaustics uses her experience to experiment and report on new equipment. She has a completed her studies a Massachusetts College of Art, Skowhegan and has attended VCU. Her work is included in "The Art of Encaustic Painting" by Joanne Mattera and she has been featured in numerous publications. For more information on the artist and her work please visit her website at www.lyndarayart.com